the advanced human - >air< ep is the latest deep offering from gynoid audio. rich with dub chords, atmosphere and reflection it is truly a celebration of living.....and breathing. the original offers up rolling dub keys surrounded by intricate percussion and a drive aimed at the dance floor. the ground loop remix finds itself rich with space and atmosphere while still lending from the dub influence of the original. markus suckut brings to the table a hypnotic dub influenced version to die for, all pushed a long nicely by a fat, low slung bassline and held in tension by the comings and goings of timely atmospherics. the raiz boys, as expected, move things back in a peak time direction by stepping up the rolling dub chords and putting the funk in the percussion. air. breathe. enjoy.
supported by: james ruskin, par grindvik, pfirter, ben sims, dustin zahn, nihad tule (drumcode), donor, audio injection, pacou, patrick lindsey, 88uw, mattias fridell and various others.

miles whittaker has been an integral part of the modern love label since its inception in 2002 - as one half of both pendle coven and demdike stare, as well as his own productions under the mlz and millie monikers. after almost 15 years writing music, this is the first release miles is putting out under his own name and marks a turning point of sorts in his production style, or rather, in its sequencing. the facets ep brings together different ends of his production style, unifying elements of the house and techno he s most commonly released as mlz together with the more broken production signatures usually reserved for millie and the darkened tribalism of demdike stare. flawed opens the set with a linn loop from the archives, stretched and slowed down with an intoxicated aesthetic that s somewhere between house and dub, before lustre re-configures source material originally keyed in by labelmate andy stott with a nice line in squashed percussion. primer on the flip extends from a demdike stare outtake and veers off into an analogue drum machine workout, before on the fly ends the set with a recording made straight to mixing desk from an array of mis-wired and malfunctioning drum boxes, contact microphones and samplers, over at his studio the mill earlier this year.

morning caffeine is the debut release by poker flats martin landsky on mobilee that we have all been waiting for! as a poker flat artist with huge success to his name for various remixes, he boasts a discography that reads like a guide through electronic musics hottest sounds. always refusing to be pigeonhold, landsky continuously embraces different paths and once again hes brought something new to the table. title track morning caffeine (main mix) kick starts the ep with both a dark and uplifting mood as a slightly twisted loop continues to build throughout the track, never really culminating but carrying on inescapably, whilst in contrast the organ dub version offers a much lighter and bouncier atmosphere. aint nobodys is the pleasant surprise of the ep, once again demonstrating landkys musical diversity and serving up really special warm dreamy vibes

yes ... we release records. yes, its marvellous to see that journey from the spring to the sea, that spark of inspiration in an artists eye as it traverses its way to a beautifully packaged piece of 180g vinyl ... but sometimes, its also nice to remember why we started a label in the first place and to visit that dusty corner of the studio where synths, patch cables and spring reverbs lie in wait, taunting us go beyond that perfect 3am comfort zone of the 8 bar loop, hazy red/orange lights and aromatic combustibles.
in order words, heres what we did last summer ... two new ifeel studio tracks to stimulate your solar sensibilities, guest starring (via the wonders of skype) richard hawleys band, a reclusive mittle european synthesist and (lest we forget) his eccentric and slightly mad octogenarian lawyer.

young turks are excited to announce the release of sbtrkts self-titled full length debut.

after a long break cécille numbers comes back with a great 4 tracker from alex celler. after huge tunes like >caedmoon loop< and >a sin< together with his friend anthea, alex goes for his first record by himself on cécille. on the a side you find >blue vaudeville< a great emotional dancefloor track with an awesome catching groove, together with shonkys perfect summer anthem interpretation of this tune you have two different strong heaters for the hot summer. on the flip you find the cool clubbing monster >dawn in the jungle< with an unforgettable hookline plus >eccosaise< which shakes every ass on your dancefloor

the more perceptive among you will no doubt twig the musical direction of an ep entitled >the deepness< by 2deepsoul before the needle even hits the groove. if you hoped it was going to be brimming with ocean deep grooves and burning chords - deep house in the truest sense - then youd be right. malcolm moores altered moods recordings brings us the debut release from 2deepsoul, aka rai scott and brad peterson, who set their stall out with a title track dripping with moody synths and hypnotic drums n hats. >escaping insanity< meanwhile is underpinned by a delicious acid line - perhaps the most outright floor-friendly track on this here 12inch. the metronomic pulse of >harmony< is augmented by a majestic one note synth loop that gently soars above - a rasping hat soon joins the fray along with the gentlest of string flourishes. >continuance (theory of lazy clap)< is equally bewitching, with a title and arrangement that wouldnt sound out of place in the dj sprinkles catalogue<

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

patrick lindsey is no new comer . active in the techno world since more than a decade , releasing music on labels like terminal m , kanzleramt , kling klong , sci_tec to name a few . so when davide squillace and luca bacchetti received a demo from the german producer , they were really impatient to open the zip file and discover what was inside . the two discovered a four track ep full of analogue synths , organic beats and grooooove . so here is hideout ninth reference : get up and bounce ep by patrick lindsey . it all starts with > what i remember < a very strong anthem with a disco funk loop background and deep vocals by k. mason. the title track > get up and bounce < is next with its hypnotic >get up< voice snipet on top of a shuffled semi acoustic groove full of cow bells and snare drums. third track of the ep is named lockruf , evolving from a jazz sample thru vocal snipets , crazy drum rolls and saxo hooks. the last track of the ep is schleifkraft where a straight to the point chicago groove is topped with some more vocals , a very bouncy bass line and analogue synth sounds . a new reference in the hideout catalogue , four new techno tracks soon to become classics !

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

2nd techno shot from new french label jaygone music, and further step to bring you 4 heavy tracks for heavy sound systems. a-side includes groovy loop + fat saw synth in a dancefloor killer, and b-side is actually a 50% detroit hybrid. dont even have to choose, thanks 4 tracks vinyl

this time mr raoul k not only wants you to dance - he wants you to go crazy on the dancefloor. in his well known way he crafts a relentless groover that sends everyone on the floor into the higher state of concsciousness called trance. he layers track upon track and builds a solid grooving base…. for the balafon. a handmade percussion instrument not unlike a marimba that gives guinean music its characteristic flavor. the vocal loop on top draws you deep into the vortex of nested percussion, african melodies und thick baselines. thistrack will never let you go - like moebius band. its main theme will stay in your head for a very long time. it will shake your hips after you left the dancefloor. and it will escort you on your way home after youve left the club. maybe it even serves as a lullaby after a long night out. already tested by Âme with stunning results.

third release on colourful has tobias linden, orange muse wander into somewhat darker territories. title track oyster comes with a rolling groove, techno rides and stabs straight outta d-troit. add to that an infectious guitar loop and sexy vocal chants et voilà - we have a true floor burner for the wee hours. on remix duties we are superstoked to have mr john selway deliver a new york techno nugget, seriously funky with a killer bass line and great atmosphere. finally wed like to introduce an upn coming producer from s.a, lebstar, sharing with us a throbbing afrotech joint with loads of attitude, string hooks and strong percussion. expect more action from this young man in the near colourful future…

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

basic soul unit returns to his herman project with an excellent early chicago influenced house track. seriously good track that is weird and wonky with much quality in the drum programming. very spacious without being cheeky. it comes comes with an utterly irresistible rework from vakula reminiscent of the halcyon days of chi house. and as bonus 4 locked grooves! one of our favorite fine art records to date!

italian techno heavyweights markantonio and rino cerrone finally name their collaborative ventures after ten years of gigs and productions together, and the name is junction hands. revolution is back is the first full release under the junction hands moniker, following a well received outing as part of the recent the napoli connection ep on adam beyers drumcode and it sees the two veterans deliver some of their strongest work yet. the title track is a pacey number with a reverb soaked yet warm atmosphere which underpins an aggressive, simple and incredibly effective bass/drum loop which gains intensity throughout. sharp sounds puncture the groove here there which keeps things interesting but its the discordant stabs in the break which push things into overdrive. the equally hypnotic and driving thing for hands follows but manages to do so with an increased feeling of woozy menace. synths feedback on themselves to shattering crescendos before subsiding into waves of noise while the groove relentlessly works its magic. with junction hands theres yet another must-check name coming out of the neapolitan scene.

the debut release of swedish artist combo (he is half of s.u.m.o. which is well known as jazzy house artist in the beginning of 2000). probably some people know his excellent edit of robert hood >minus<. the title track of a side is modern beatdown house with the emotional piano loop sound. if you like the release of the revenge or mark e, you will like this song. b1 is an old school house version of the title track and >uptown< on b2 is early new york house sound.

arma17 is the leading russian underground venue, the only russian club properly represented on the international scene. since it was launched in april 2008, located in a 150+ years old building, packed with funktion one sound - arma17 became permanent home for all major international labels and artists: ricardo villalobos, loco dice, luciano, sven vath, magda, james holden, rhadoo, pedro, raresh, dj hell, ivan smagghe, seth troxler, marco carola, cassy, mathias tanzmann and hundreds more. as a new stage of its development arma17 is a launching a record label with a goal to provide to the best russian producers (which started to rise in a recent years) unique opportunity to enter international market and to introduce new cool russian sound to international audience. we will also public unique productions which were done by the international artists, which are most closely connected to arma17 club. first release contains 7 new tracks from such international artists as: bruno pronsato, dop, piticu (romania) and following producers from russia: anton zap, easy changes, andrey zots, vakula.

8 bit continue their tradition of presenting the next names to break through in the german underground scene, with this new ep from rills. alongside the endless boulevards and among the industrial turins countless blocks, in the heart of mirafiori, two steps away from the factory of the italian motor city, rills grows up with metal beats and, in a town in a non stopping musical turmoil, falls in love with the electronic melody. we all know him from his great work with the >everybody ep< on the romanian label all inn records. rills is resident dj at club gamma and doctor sax, the most loved breakfast of turins electronic mornings.

part 1 vom hive club geburtstagsalbum. mit tracks von guido schneider, oliver koletzki, benja & reto ardour.

it seems that dapayk used to listen to a lot of hip-hop when he was younger. his latest ep for still vor talent >let go< has got these influences written all over it. the title track starts out with a male vocal and some sounds that sound a little like scratching before things then quickly head into the direction of the club. the vocal by singer camara could not be more reminiscent of 80s house music and this track has got all the soul and groove of this era. beneath the delicate vocal and sound patterns lies a wonderfully simply staccato house groove that is sure to get everyone shuffling. on the flip things get a little more techy with >nneka<, a deeper and more melodic tech house glider that gently takes the listener towards a harmonic state of mind. beautifully arpeggiated pads, a warm soulful groove and some reverbed vocals make this one. last up is the sample-based tech-house stomper >upyo< featuring production partner jon hester. this is loop heaven: a pushy beat loop with many snares, reverse samples and an unexpected saxophone melody make this one the perfect changeover track from warm-up to peak-time. this ep shows dapayks skills to combine many musical influences into his unique still of tech-house music

macro greets rhythmic expressionism: stefan goldmann’s “the grand hemiola” is the first real innovation in the vinyl format in years! 144 locked grooves build a toolkit that breaks out of the limitation of one 4/4 cycle and brings unique possiblities to create complex polyrhythms just with two decks and a mixer. stefan goldmann’s first ever double vinyl album is a take on the infinite possibilities of rhythmic layering. percussion-heavy, focussed on clashing metres, deeply exploring the sound set – from the orchestral “grand hemiola”, to the triplet-feel of “megi’s waltz”, from the 11/8 pattern of “double hendecagon” to the anti-loops of “away from the flock”: a unique, non-conformist album of haunted acoustics, haptic percussion and deep rhythmic expression. a true, first time invention comes on two sides of the vinyl set: “the grand hemiola” loop toolkit overcomes the time restriction of locked grooves: one record contains loops in 4/4, the other in 3/4 (employing the time differences of the rotation rates 33 and 45 rpm). in the mix, they sum up to an extended cycle of 3x 4/4 or 4x 3/4 and enable building complex “3 over 4” polyrhythms (“hemiolas”). you can mix loop into loop for hours without ever getting trapped. more than an album, this is a note: pitch down side d to approx. -1.5 to match the loops’ bpm rate on sides b & d

joshua aka circulation, c++, or iz recorded some serious tracks in the mid 90s on seminal house labels prescription, balance, & blue cucaracha at the infamous red nail studio. here are remastered classics & unreleased takes on tracks like emotions unknown, worry no more, aspirations & more!

rome, italy native fabio bacchini has been holding it down for underground house music with his label mind travel, but takes a step to the left to give us a hot little ep on transport. the roman disco ep is exactly what it says on the box: no fancy gimmicks here, this release is comprised of four solid disco house jams. the first tune >weekender< is a nice phase guitar loop jam with signature disco pulsating strings amidst the happy snapping snare beats and soul train vocal snips. next is my favorite cut, >money talks<, a straight up disco rhodes organ jam a la the crusaders. add some saxophone in there for points with ladies, and you have yourself a jam. on the flip we have >in the mood< is takes the mood a bit deeper with a nice n spacey groove amidst a rhythm heavy beat. throw some synth strings and keys riffs in there for good measure and there you have it... disco house. sometimes stays within the same formula but brings a more pulsating sound that pushes the music. the tune is still deep and groovy as the ep winds down...

niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

limited backstock on this great industrial techno / electro release from 2001 by richard polson & nick dunton (surface records).

fine art with another piece of sultry nu-disco/house. this time its londons capracara (aka jonathan burnip), who has had outstanding releases on dfa and soul jazz. this vinyl only release of panic beats includes (beside the original version of course) a sweet previously unrelease remix from diskjokke, one of those hot producers from oslo (like prince thomas, lindstrom). diskjokke just had his second album out on smalltown supersound but found time to deliver this sweet remix job. comes with two endless loops in the run out groove. fine art is on a great run with this cool 10... vinyl only

taking a break from compiling his latest masterpiece while simultaneously remixing and re-editing for various labels, al kent delivers another trio of peak time disco movers.. on the a side “feel it baby” is a classic everyone should know, twisted and tweaked for today’s loop-hungry dancers. the phrase “bassline to die for” was coined to describe this song. then there’s the strings… oof! flip it for you got it, an edit that’s been in al’s armoury a while, one that people always ask for.. so here it is. “drums to die for”? built around one serious serious disco break. lastly, theres loving living feeling. a super funky clav, rhodes and string groove that really packs a punch! million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

this is the first single cut from the debut album of eddie c, which will be released in march on endless flight. eddie c is one of the best new comers of the nu disco scene in 2010. the title track of a side, do it yourself is a philly disco sound. there are no new things but this track will be a timeless dj tool in your disco set. pain inside on b1 is slow house stuff with a 70s soul voice loop. dub me gwen on b2 is more electric modern boogie disco style

big with julien chaptal, luciano, gel abril, mihai popoviciu, keinemusik crew, nekes, affkt, meat, anthony collins, luca doobie, mirco violi, varoslav,.. dj sneak-fans, check this one out! the connection between off and italy has always been strong, now another promising act from the italian capital rome will be added to the off roster. >mad & son< is a massive floorburner, possibly one of the most danceable tracks ever released on off. a huge classic italo-disco-sample cut up, looped and accompanied by self-played keys, a massive groove and killer bassline. off-regular dj w!ld delivers one of his classical linear and toolish mixes, taking back the use of the discoloop and focusing more on the groove. >phased< works quite similar to >mad & son<, also working with a discoloop but adding raw spoken-wordvocs. dancefloor-destruction guaranteed. >whats going on< is probably the most sneak-ish tracks of the bunch, an intense filtered loop, jacking beat, techhousy groove and driving vocals.

portable strikes back on karat 8 years after his first appearance on the label. hes now delivering two massive tunes that gonna smash any dancefloor around the planet. >inside your mind< is a build up track with a proper vocal describing different levels of consciousness, and about the way of living your inner thoughts. this is a true masterpiece, already charted by a lot of djs and surely a future karat classic. >the gheto escapes< is a floor burner, acid stomper track that never stops to push up the pressure. portable releases here the more dance orientated record of his career and be sure this one will satisfy any kind of djs, from the house heads to the proper techno addicts. one infinite loop is hidden at the end of the first side. enjoy

limited, 300 pressed… once upon a time in a borough not so far away… endlessly walking the streets, on one of those hot-as-hell summer days in brooklyn nyc. you pause on the corner, to catch your breath, only to have an old box of records catch your eye. your fingers start to gather dust as you rifle though 12s with names like strictly rhythm, nu groove, madhouse, henry street and loop nloop on the labels. as you reach the end of your frenzied search, one unassuming piece of wax, in particular, seems to mysteriously peek your interest… on the corner vol. 1. the debut release for the brooklyn nyc based cortelyou road recordings. this will be first in a series of compilations coming from cortelyou road. leaving no stone unturned in their search for the finest production talent from around the globe

happy birthday hive club zurich! es gratulieren guido schneider, steve bug, christian burkhardt, oliver koletzki, kellerkind, pascal feos & frank leicher, einzelkind, benja & reto ardour sowie azuni

uner. whilst many around him are stuck in a never-ending loop, uner is looking forward with his productions, incorporating new sounds and styles with each new release. fresh off the back of an incredible 7 nominations for the deejaymag (spain) awards, uner looks to continue his outstanding run, with his latest 3 track ep for diynamic. let the music speak!

killekill002 comes from alex cortex solo. the a side track >tackle” is an old school minimalistic loop techno track with a weird bleepy melody inside. made for the late hours on big pas. b1 track >beach bass< is the hit of this record: a deep house number with a bassline that hits your heart immediately and makes you smile and want to dance. a house hit as it should be! b2 >boing boing< is an uncommon, strange electro track that rounds up this ep and shows the wide range of styles that can be expected from this label. alex cortex has been releasing electronic music of all kinds since 1996 on labels like source records, kanzleramt, klang elektronik, pomelo, platzhirsch and many more.

oh cristo! label comes back with memoryman/ltj, heavy one.
memoryman - aint no big edit: great percussive elements bring this track to life! short stabs of echoey synth carefully placed throughout add to the atmosphere, the track builds and builds. there is a strong house/techno feel but the slow tempo ensures it grooves, a big track! and lovely vocals with the deep bass work really well!
side b: ltj - all night: hypnotic loop carries the track, slow bass grooves and the vocal is perfect! a dancefloor gem! would be a great secret for any djs bag!

we again two flying something objects are located in the orbit, waiting for permission to land on your turntables and in the lay-by of your recordbag. this time with 13 pieces of stl deep shakin house madness, mindscratching lo-fi grooves, cranky energized synth activities, dope loops and sound effects. all pressed on a delicious double vinyl album with a limited printing of 500 covers! the music is all hardware based and sequenced. recorded in live sessions without any computer arrangements. surely the style is not for everyone and compared to others, probably seems a bit unconform, cat-headed or sometimes just different. but it s always true spiritual. an open minded artform with the sense for functionality. every track is talking to you in musical form without any barriers straight down to your feet and feeling. as in all something releases there is much sound personality and imagination inside, giving the listener a ticket to the fascinating world of beat orientated something music. get on board and enjoy the trip.

a spiral of evolving and heady, sample-laden tracks unfurl on paco osunas latest ep, a richly produced melding of continent-spanning talent, with paco partnering up in the studio with real-life amigos daniel sanchez, alex under, joseph capriati and alexi delano. the amigos ep presents driven, moving grooves with satiating build ups, over densely-layered samples and drums. osunas seasoned skill-sets in the dj booth and as a producer come together knowingly in this release. osuna and his dutch/spanish counterpart daniel sanchez combine melodic and percussive samples in kawuriel, whilst with madrids alex under as his cohort, osuna transfixes with waaaa - featuring a distinctive pitch shifting sound throughout its phasing. your understanding of its unusual name will become abundantly clear upon the first listen. also notable is wope, which contains woodblock-esque percussion samples that compliment the rolling bass, co-produced with italian musician joseph capriati. the eps finale, waxfix, is a combination of the talents of osuna and swedens alexi delano, resulting in another cleverly-derived arrangement of steady bass drums and strong high hats. its a well-locked and smoothly syncopated, loop-based groove

vibrations is a new label set up by christopher galloway and piers harrison of roots unit. the first release comes from the ever-dependable and very busy mark e, who drops two killer jams for the dancefloor. escape is a bassline driven banger that drops into a hefty loop half-way through – large. the flip, midnight fires, is a more introspective, techno influenced cut, with crazy jazzy drums and swirling synths. we are thinking about early morning dancefloors for this one. escape is also remixed by roots unit, who add chicago house elements within a reggae aesthetic.

ltj – go man go - classic ltj! killer track, based around a synth loop, vocal and a real strong groove. a firm disco tune that will be loved on the dance floor!
alien trick – black mystic prayer (jfk rework) - jfk is bang on form with this rework! a deep and hypnotic track that has a real dark feel and a beat that rocks. the bass line carries the song throughout, another hit for the club!

2004 release by umek with 2 harder / tribal techno tracks + 6 loops.

messalina records return with a fantastic new release. with the edit duties undertaken by zurichs balearic disco maestro lexx, you know youre in for a treat and this release doesnt disappoint in any way, serving up an awesome collection of balearic obscurities chipped and sliced to perfection. side a kicks off with the brilliant eminent times, an excellent mash-up of prince vs. the who that has been in-demand since featuring on lexx’s wonderful sundance mix from 2006. next up is so different here, a super cool extended edit of rachel sweets lost classic featuring that so hot loop made famous by the beatnuts. on the flip side we get go, a beautifully deep rework of a lost track by spargo, and finally the afrodisco groove kumbayero, a super funky dj friendly edit of a rare gem from 1976, previously only available on an impossible-to-find 7 inch

big with: reboot, dj t, robert dietz, audiofly, thomilla, dj w!ld, ray okpara, gel abril, gorge, mihai popoviciu, brothers vibe, toni rios, affkt, daria, mario aureo, luca doobie,... after delivering one of the hits of this summer >gonna be alright<, crom & dawson get back with their second full ep on off, presenting four diverse tracks between dancefloor demolition and delicious deepness. >about you< clearly belongs to the first kind. a full-on techhouse bassline, that ever-driving vocal loop and a killer break wont leave any floor untouched. >ballistics< is perfect for the later parts of the night, with a chordheavy techy theme, soulful oldschool vocals and a break of shifting delay madness.

this exquisite disco roughie, paying homage to that sleazy, backroom-disco sound of the boys town gang and skatt bros., is the latest addition to the history clock canon. and ill wager that this is going to be the post-summer smash of the undergrounds counter-cultural disco scene. >cruiser< is a simple, bass loop that grinds and growls like an early weatherall-style groove, beneath some of the most x-rated sociolinguistics that would make even a sailor blush! on the b-side, relaxer is a punchy, proto-house instrumental that sounds like something somewhere between the very early releases on trax and one of those obscure 12? killer dub versions from a mid-80s, uk pop tune

the long term, super-productive story of class-act producers phonique and tigerskin continues with the next installment on ladies & gentlemen. over 4 tracks (and one more digital bonus) the pair explore their passionate, freaky and funky sides in this, perhaps the most functional release on the label yet! phonique throws us two hot ones with sandman and longdrink. the former skips through tripping, tooly and percussive territories while the latter goes all out with addictive rolling bass and hedonistic synth passages. marrying an old-school flavour with high-end, modern moments, phoniques side of this unmissable 12inch is just as strong as his legendary dj sets! tigerskin then takes centre stage with loop back in time and tonys riff. >in time< grows from a rolling drum array into a surging disco fueled killer, that whisks us away to a brighter age with its soaring strings!

gem sampler 2.1 and 2.2 come just in time for a gem records >amsterdam dance event showcase< at the westerunie on saturday october 24th including a big poster and advert campaign for the sampler! artists featured on gem sampler 2.1 (gem006) are secret cinema and tom laws who both dropped a big fat techno bomb and peter horrevorts who supplies us with a huge peak time loop-disco techey stomper. nice… on gem sampler 2.2 (gem007) egbert provides an energetic yet deep and hypnotic techno track while roger martinez delivers a giorgio moroderesque italo influenced tech houser. on the flip, its kaap de goede hoop who bring some warm deep housey flavours to the mix and arjuna schiks who finishes it off with a big funky percussive groover.

everything from a small room. a few friends joke and start to record something.. something strange, indecipherable, or maybe just their souls. a voice begins to sound diffuse, catchy, distorted, hot. what happened to them on in that room don t know, but it was enough to convince us that this was a true story, unique ,inimitable. hooved was amused to construct a simple, yet many artists have come out of my mind, since the scsi-9: anton e maxim have made a pop song like this phoebe, that seems to be everywhere, but didn t think hitherto.. barrytone, new project of korablove, we delight rolled, cuts batteries and more pressing reason, unlikely to fade in your shelves. echonomist in greece seems to fall after many years in his bedroom, and start playing with the same old things, but with the eyes of this. finally tuccillo helps us find a very specific connotation, destination, disco. vinyl seems to sail on his last tour, but in the digital ve rsion will still expect the memories: l original track of hooved, version reinterpreted version of the cool voice hvoya, and the last train, the remix of dualism. a man and a woman summed up in just under 13 minutes all monsters and insecurities, words and glances, the soul of a gesture that turns into projects, loop, hours, bpm, second. apparel is pleased to present phoebe ep.